Angry and disheartened, she goes to India anyway, where her would-be collaborator Sonia (Soha Ali Khan) cheerily announces that they will go ahead with the project despite the withdrawal of funding. Although, as a woman (and here the film shows a more conventional side) her role can only be to witness, from the sidelines, the central spectacle of male martyrdom, she is nevertheless (for Hindi cinema) a notably unconventional witness.Īs the film begins, Sue’s dream of retelling the story of the anti-Raj revolutionaries is abruptly shattered when her BBC “World Vision” producers pull the budgetary plug on the project.
Patten’s sensitive and endearing performance. That her gaze is discerning and not stereotyped, appreciative but not fawning, doubtless owes much to the scriptwriter and director, but also to Ms.
The two parallel narratives, one familiar and closed, the other emergent and unpredictable, come together through the eyes and lens of a fictional director making a film-within-a-film.Īn outsider-insider, she reverses the recent trend toward expatriate NRI heroes and heroines (who view the West through privileged Indian eyes) to invite Indian viewers to see themselves through foreign ones. The story of the 1931 martyrdom of the young revolutionary and freedom fighter Bhagat Singh and his companions Rajguru, Sukhdev, and Chandrashekhar Azad-one of the hallowed legends of modern Indian history and itself the subject of a spate of recent films (see, e.g., THE LEGEND OF BHAGAT SINGH, 2002)-is again retold here, this time interwoven with a contemporary fable about radicalization and sacrifice. Its fast-paced and visually arresting presentation belies a multi-layered storyline that assumes considerable background knowledge of twentieth-century Indian history. In the best tradition of Bombay film, it is both innovative and conservative: a forward- and backward-looking meditation on two of the preoccupations of Hindi cinema: nationalism and filmmaking. This complex and unsettling tale about the political awakening of a group of jaded urban youths became one of the most acclaimed and talked-about films of 2006 in India, as well as India’s entry in the US Academy Awards. Sub File / 1505 MB (1578887374 ByteS) / Video: XVID 656x272 23.98fps / Audio: Dolby AC3 48000Hz 5ch 192Kbps / 02:46:39 / 656 x 272 / AVI Video File / Imdb Id ~ 0405508 / Rang De Basanti 2006 DVDRip XviD xRG.Story and script: Kamlesh Pandey Dialogue: Prasoon Joshi, Rensil D’Silva Screenplay: Rensil D’Silva, Rakeysh Omprakash Mehra Lyrics: Prasoon Joshi Cinematogaraphy: Binod Pradhan Music: A.
Rang De Basanti 2006ndi 720p DvDRip CharmeLeon SilverRG Rang.De.x264.Esubs-DDR_2_track3īoth English and Indian parts. Rang De Basanti - 720p - Blu-Ray - x264 - DTS
Rang De Basanti Hindi 720p 1.20GB CharmeLeon SilverRGĮnglish, Indian & Poetry Parts. Rang De Basanti 2006 720p Blu-Ray x264 DTS-DDRĮxtracted from MKV and improved: punctuation added (~400 dots missing), short/long display time fixed, short lines merged (<60).
Rang De Basanti 2006 720p BluRay x264-x0r
Rang De Basanti 2007 1080p BluRay x264 Hindi AAC - Ozlem Rang De Basanti 2006 Repack 1080p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.Eng